'Anna Fleischle’s impressive set design, uses a semi-circular, two-tier structure, that the cast run over, jump around or just sit upon. Its grey metallic brutalism adds to the sense of a harsh, urban environment, where there is no softness or greenery.' Broadway World

‘Anna Fleischle’s set design, a two-tier concrete underpass, suggests a nihilism that’s reminiscent of the 2009 film Harry Brown, starring Michael Caine as a vigilante pensioner.’ Telegraph

'The production also comes to life through Anna Fleischle’s set. It was recognisably a Nottingham landscape, with the sight of Market Square and a mezzanine acting as Trent Bridge. Accompanied by concrete underpasses, metal rails and the windows in the city skyline lighting up, the set was rich in detail that lent itself to some striking imagery and poignant staging positions.' Theatre & Tonic

'Racing through Jacob’s life story, Shields is a knot of restless tension, his poetic monologues almost like a rap as he discusses life in a gang on his estate. In his world, honour and reputation is decided by your fists. His frenetic energy is heightened by Alexandra Faye Braithwaite’s throbbing sound design and Robbie Butler’s flashing lights as he dashes from one side of Anna Fleischle’s grey-scale set to the other, via a concrete double stairway.' London Theatre

'The action is high intensity, rapid, swaggering, with Adam Penford’s direction and Leanne Pinder’s stylised movement creating a restless sensibility as Jacob charges up and down Anna Fleischle’s bleak set with its concrete underpass and runways with metal rails running up to a bridge at the top.' WhatsOnStage